Last April, Matt Evans previous album New Topographics was released, a curious gathering of fourth world ambience and layers of…
REVISIO: Owen Gardner | Sammusik
It’s a perhaps a clumsy way to start a review but often these days, when I hear new music, I…
REVISIO: Rose Bolton | The Lost Clock
Throughout lock down, part of our reviewing process has overlapped into our favourite local walk. Time away from distractions, time…
REVISIO: Haino/O’Rourke/Ambarchi | Each side has a depth of 5 seconds A polka dot pattern in horizontal array A flickering that moves vertically
Whilst it’s a term that often induces sniggering – supergroups can, in fact, be the real deal. Think of an…
REVISIO: Intersystems | #IV
Here, at OBLADADA, one of the most vibrant and exciting fissures of experimental music was the weird overlap between psychedelics…
REVISIO: Conrad Schnitzler | Paracon (The Paragon Session Outtakes 1978 – 1979)
It’s hardly breaking news that the experimental music scene in Germany in the 70’s was quite breath taking. Bands like…
REVISIO: Sam Genovese | SKYMYTH
The late great John Cage once commented that it wasn’t so much what dancers actually did but the ardour with…
REVISIO: Jeffrey Alexander | Reyes
Jeffrey Alexander is perhaps best known as the founding member of San Francisco’s kosmic folk collective Dire Wolves. Whilst that…
REVISIO: Pauline Anna Strom | Angel Tears in Sunlight
It’s impossible to not consider the emotional back story to Pauline Anna Strom’s Angel Tears in Sunlight as you hit…
