It’s impossible to not consider the emotional back story to Pauline Anna Strom’s Angel Tears in Sunlight as you hit…
REVISIO: Cory Hanson | Pale Horse Rider
The first few Wand albums are all woven out of a maniac forward momentum. Driving rhythms, thrashing guitars and math…
REVISIO: Curtis Godino | Curtis Godino’s Alien Nation
Sprawling across numerous releases, Curtis Godino’s previous work straddles the garage prog pirouetting of Worthless, the electronic pop-up windowing of…
REVISIO: Colin Fisher | Reflections of the Invisible World
One of the more functional elements of posting a review on OBLADADA is tagging a story. Clearly, we are no…
REVISIO: jonee | kavanah
In the enjoyable endless dialogue about favourite pieces of music, it often reveals that our most treasured experiences are, when…
REVISIO: Timelash | A Morphology Of Wonders
It’s telling that in the last 12 months, words like apocalyptic have gained a real everyday gravity and function. The…
ELEKTO | OBLADADA: 2020
We know not everyone likes end of year lists, but this year, their appearance also signals that 2020 is ready…
REVISIO: J. William Parker | To Hear Their Voices In The Dark
One way to find new music is curiosity. Finding music that you like, simply look at what else the label…
REVISIO: Roland Kayn | A Pan-Air Music
The work of Roland Kayn occupies a unique place on the shelves at OBLADADA. The gold and black box of…
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