Like many others, our discovery of Bill Fay’s work was via that much celebrated tale where Jim O’Rourke had played…
REVISIO: Roland Kayn | Elektroakustische Projekte & MAKRO
Start at the beginning. It’s the way we instinctively approach anything. Once we hear something and start to explore, that…
REVISIO: Hiram | Green Green Earth
Here in Scotland, the shapeshifting first month of 2025 has served as a reminder of how hard edged our Winters…
REVISIO: Peter Rehberg | Liminal States
It’s impossible to let Liminal States flood your ears and brain without thinking about the artist that made the music.…
REVISIO: William Selman – The Life of Lines
Discovering new music is always thrilling. Irrespective if you’re lucky to have access to a promo due out in 3…
ĈIAM ĈESTE EN 2024
Its wild to think we are now a quarter of the way through the 21st century. That once shiny future…
REVISIO: Alessandro “Asso” Stefana | Alessandro “Asso” Stefana
A word we often use here at OBLADADA about the type of music we enjoy is adventurous. It’s not necessarily…
REVISIO: unearth noise | sentient songs
Roger Berkowitz’s ongoing project unearth noise, has always had a similar broad effect on me. Over several stunning albums, his…
REVISIO: Mr Compromise | Keith Noble
There are points at various junctions in our lives, where we accept it’s time to let go and move on.…
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