It may sound like a strange way to start a review, but I’m often interested in the way I imagine…
REVISIO: Gary War | Gaz Forth
The music of Gary War [Greg Dalton] has all the signifiers of what journalist David Keenan dubbed “hypnagogic pop”: music…
REVISIO: Rafael Toral | Moon Field
One of the great pleasures in music is just letting your eye dance along a shelf thinking what to play.…
REVISIO: Roland Kayn | A Little Electronic Milky Way Of Sound
I’ve lived with Roland Kayns A Little Electronic Milky Way of Sound since mid-October. I’ve discussed it at length with…
REVISIO: Suzuki Junzo | Shizuka Na Heya De Ashioto Wa
The music of Junzo Suzuki is always a wonderful contradiction of simple and complex. It’s presented as a document with…
INTERVJUO: Tim Presley
Many artists find a formula and stick with it. Although I’m fortunate to listen to an ever-swelling variety of music,…
HISTORIO: Folke Rabe | What?? (1970)
I remember the wonderful Derek Bailey discussing the idea of recorded music. Imagine buying an album that was in a…
REVISIO: The Myrrors | Hasta La Victoria
The announcement of a follow up to Entranced Earth less than six months after its release came as surprise, simply because Entranced…
REVISIO: Caterina Barbieri | Patterns of Consciousness
It’s no surprise that Italian-born composer Caterina Barbieri started out as a student of classical guitar. Her ability to describe sound…
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